Been working hard on the animation shoot of The Forlorn Piscator, and he progress I've made so far has been, in all honesty, pretty great!
I now have all of the scenes involving the cabin set shot, minus the window sections, and I have also completed shots which are over-the-shoulder shots involving the sun. This is a timelapse, showcasing a sun shot. This roughly took about twenty-five minutes to shoot. It wasn't a particularly taxing shot to shoot, just had to be weary of moving the cling-film too quickly, otherwise it would look pretty bad.
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Began animation yesterday; started to shoot the cabin scenes that comprised of Scene Three from the film. Most of this scene, with the exception of roughly four shots, were all animated.
Animation lastly roughly seven hours. There wasn't a great deal of trouble, mainly as the scene isn't intricate, however I do know that further on down the production it will be alot more strenuous. Below is a behind the scene photo, along with a quick exported shot from the scene. took a break to work upon other aspects of my final project, but I had a bit of time last week to conduct a series of stop-motion tests involving the fisherman puppet.
I used AnimaShooter Capture as the frame capture software, while using a Canon EOS 250D as the primary capture source. The tests showcased the movement style that I want to go for in the short film. Test One Test Two Test Three |
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May 2020
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