A lot has happened since the last blog post, mainly, the entire shoot has been finished, and that I began a rough edit of the film.
On the 25th of April, I began exporting all the footage from the frame capture program AnimaShooter Capture, which took a few days to accomplish as my PC was dreadfully slow (updates occurred). After all this was done, I assembled a real rough version of the film, and honestly, I quite like it. Definitely a good few bumps that need flattened out, but it's a start. I'll likely begin to start reshoots this weekend, mainly some shots from scene's Two and Six, as the colouring and animation is a little off and inconsistent with the rest of the film.
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A significant portion of the film is now shot, with really just the final shots taking place during Scene One to take place. I will most likely be doing reshoots of some of the more earlier material during the productions shoot.
Below are some shots showcasing The Fisherman's eye replacement parts, along with some pier shots and their counterparts. The animation shoot is well and truly underway, with huge portions of the short film being shot. At the minute, the scenes that still have to be tackled in some proportion is Scene One (which hasn't been shot yet), along with the last half of Scene Five (mainly the shots involving the wave). But, I'll get there, when I get there.
Here is a timelapse showing how I set up a specific shot that is featured in Scene Six. |
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May 2020
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